The Guardian Culture
Queen Elizabeth Hall, LondonFull of surprises, Stephanie Lake’s 2018 piece is a feat of logistics as 60 performers display split-second timingMass movement can have a walloping impact. Whether in military parades or Olympic opening ceremonies, Busby Berkeley routines or the corps de ballet, a vast number of bodies chiming together in precise formation equals automatic wow factor.Australian choreographer Stephanie Lake knows it, and her piece Colossus, which was originally made in 2018, has been