The Guardian Culture
Richard Gadd’s follow-up to Baby Reindeer is a relentlessly punishing look at characters being crushed by the unending horror of their lives. At times, it feels like it was made by emo teensIf you look up Baby Reindeer on Netflix, you’ll find it categorised as a comedy series. This may come as news to anyone who has actually seen it, because they might have been labouring under the delusion that it was a terror-filled rolling panic attack of a show, sitting somewhere between psychological thrill