The Guardian Culture
(The Flenser)The Oklahoma band use hooky vocals to help their lyrics on desensitisation slip down easy, though their third album lacks the distinction of earlier releasesChat Pile’s 2022 debut album God’s Country was monstrously, miraculously fully formed. The Oklahoma sludge-metal quartet’s oily guitars and grunting mid-tempo percussion conjured their namesake, mining toxic waste mounds, while Raygun Busch’s throat-shredding vocals drew from the city’s real-world violence. But their releases si